I held my second landscape painting workshop of the year in Joshua Tree during April, a beautiful time to be in the desert. Rain has been pretty sparse the last couple of years, so the annual wildflower bloom was pretty much nil in both the high and low deserts, but the cacti and Joshua Tree are pretty dependable for producing some showy flowers. I've been to the JT area numerous times, but there are always new places to explore and paint. Once you become familiar with different areas, you start to notice differences in elevation, plant life, and color.
We began the workshop at Hidden Valley. I chose a few different locations throughout the high-desert section of the park that would provide different landscapes to paint - open vistas full of Joshua trees, areas packed with huge monzogranite boulders, and mountaintop views of the Coachella Valley and Salton Sea. Even the color of the soil varies from place to place. After painting all morning, the class would take a 3-4 hour lunch break to relax, heading back to hotels or into town for a sandwich. Though we didn't encounter too much wind or heat, the intense light really tires out your eyes, so a siesta is crucial. When we returned in the afternoon after a good rest, everyone was ready to jump back into painting. I began each afternoon session with another demo, same as the morning, and we would paint until sunset. The town of Joshua Tree is not that far off the beaten track (much more established than the sleepy town of Borrego Springs), so we would gather in the evening to eat at one of the good restaurants in town, chat about art, check email, or do a little grocery shopping for a BBQ.
During Day 2 we painted in Lost Horse Valley in the morning and spent the afternoon at Quail Springs. I had initially planned for us to paint at Key's View, a spectacular lookout with views over the Coachella Valley including the San Andreas Fault, the Salton Sea, and San Jacinto, but after we arrived the wind nearly blew us off the precipice. We enjoyed the view for a few minutes before we retreated back down to lower elevations to paint.
Our timing was perfect for nocturnes - the full moon was due to rise just a few days after the workshop ended, so during the workshop weekend a bright moon would already be in the night sky by the time it was dark. I had arrived in the desert a few days before the start of the workshop so I was able to paint a few nocturnes, but after painting all day during the class we just never had enough energy. There was quite an interest in trying to paint the moonlight though, so I'm going to be planning a nocturne-only workshop in the near future. Bookmark this page on my website for upcoming workshop news.
After a very productive workshop and informal critique, we headed out for dinner at Pappy & Harriet's Pioneertown Palace, a must if you're going anywhere near Joshua Tree. They feature live music most nights and the food is awesome. The Santa Maria tri-tip BBQ is always hot, and the bowl of chili is amazing. A good evening to wrap up a solid couple of days painting in the Joshua Tree desert.