Logan Hagege

Still Life Painting Workshop (FAC)

STILL LIFE PAINTING WORKSHOP(in conjunction with The Fine Art Collaborative) I'm looking forward to this great collaboration of artists and instructors coming this summer. Organized by The Fine Art Collective, numerous workshops and lectures will be held over three days by many familiar names, including these folks: John Asaro, Glenn Dean, Frank Gardner, Logan Hagege, Ignat Ignatov, Stacy Kamin, Dan McCaw, Peggi Kroll Roberts, Ray Roberts and myself.

DATES: Saturday, June 2, 2012, 9 a.m. - 4 p.m. LOCATION: Randy Higbee Gallery, Costa Mesa, CA COST: $130 INFO: A one day outdoor still life painting workshop in Costa Mesa, including instructor demo and student painting time. TO REGISTER: Visit www.ericmerrell.com or www.thefac2012.com for more information

Videos: C.U. and P-Town

http://www.youtube.com/watch?v=SSJx3u0D6MgTwo cool videos to bring to your attention: The one is from the Classical Underground concert last October that featured paintings by myself and two friends, Logan Hagege and Glenn Dean. (you can see them in the background). This violinist, Moni Simeonov, is one of my favorite performers there.

http://www.youtube.com/watch?v=vNX5ZhIqOrs This is a video of the painting trip to Provincetown last October, created by Jon Goward (for some reason the embed feature wasn't working on this video so I just put in a link above). Always interesting to hear the different perspectives that everyone brings, plus, look for the comedy as the credits roll. It’s playing at the Cape Cod Museum of Art and Addison Art Gallery for the Creative Convergence exhibition(s) that was a result of the trip, and is currently on view through February 28, 2011.

Back to Back: An Art Lecture and Showcase

I'll be giving a lecture this coming Sunday in Pasadena on the history of the California Art Club, specifically the 1940s. That decade was an exciting and turbulent period for the organization - it found itself squarely in the midst of the red-hot controversy over modern art in Los Angeles, contributed locally to the war efforts, and lost its beloved clubhouse. I'll share insights on the club's inner workings as well as how they fit into the changing national landscape of art and the theater of World War II.

"In the Trenches: The California Art Club during the 1940s" Sunday, October 24, 2010, 1:00 - 3:00 p.m.

$10 CAC Members/$15 Non-members

The Historic Blinn House at the Women's City Club of Pasadena 160 North Oakland Avenue Pasadena, CA 91101 626/796-0560 www.womenscityclub.com | Directions

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Evening in the Foothills, 16" x 20", Oil, © Glenn Dean

Shadows on the Mountain, 30" x 40", Oil, © Logan Hagege

Spaceship Landing (The Salton Sea), 30" x 30", Oil on canvas mounted on panel, © Eric Merrell

Alexey Steele's Classical Underground, a collection of world-class musicians and artists performing in an intimate studio setting in Carson, CA, has gained quite a following since its inception only a few years back. From the beginning, Classical Underground has featured contemporary paintings along with amazing classical performances unlike anything you'll find elsewhere.

The next concert on the evening of Monday, October 25, 2010 will feature work by Glenn Dean, Logan Hagege and myself, These events have limited seating and sell out quickly, so you'll need to purchase your tickets soon after they go on sale. You can find more info (and buy tickets) on the Classical Underground blog.

Painting in Provincetown

 

 

I've just returned from nearly two weeks of painting out on Cape Cod in Provincetown, Massachusetts. A great group of guys with some new faces too. Though we had mostly great weather, there was some wind and rain, so we hired models and painted indoors on those occasions. Provincetown has a great history of artists living and working there : Charles Webster Hawthorne (we were given access to paint in his beautiful old studio), Henry Hensche, Richard Emil Miller, Edwin Dickinson, John Whorf, Edward Hopper, Henry David Thoreau and many many others (Is it a coincidence that so many great towns began as artist colonies? Laguna, Pasadena, Indian Wells, Greenwich, Santa Barbara, P-Town...). After the end of each day of painting we'd gather for dinner and look at everyone's work, back at the houses or at a local "pirate ship" with lots of history and character(s). Lots of conversations about art, music, history, color, food, tequila and other stuff not fit for print (!) And man, some of these guys in the group can cook! Also met some local artists working in the Hensche color tradition - Hilda Neily and John Clayton. If you go to P-Town, be sure to check out the burgers at The Squealing Pig, the Cape Cod Rueben at Tatiana's by the wharf (just like a traditional rueben, but instead of corned beef and sauerkraut they use haddock and coleslaw. Amazing!) and the Egeli Gallery on Commercial Street.

Here is a great article featuring Jerome and the P-Town trip.

Quite an exciting and energizing time! I haven't had a chance to photograph any of my paintings yet, but hope to get some of those online soon. An exhibition of work from the trip will be featured at the Cape Cod Museum of Art, January 15 - February 29, 2011.

Here are links to the artists' individual sites:

Jeff Bonasia, Rick Casali, James Coe, Dan Corey, Ian Factor, Frank Gardner, Jerome Greene, Logan Hagege, Marc Hanson, Ignat Ignatov, Pete Kalill, Stapleton Kearns, Michael Klein, Jeremy LipkingEric MerrellErnesto Nemesio, Colin Page, Paul Schulenberg.

 

 

Cape Cod

Mackerel Dip Net, 12" x 12", Oil on linen, ©Logan Maxwell Hagege

I'm heading out to paint in Provincetown, at the end of Cape Cod, MA, which was home for many years to artists Charles Hawthorne and Henry Hensche, among others. Looking forward to the trip - this will be the third annual assembly of a group of artists from the east and west coasts (and Mexico as well). The first year we all descended on Port Clyde, Maine; last year's target (which I unfortunately missed) was San Miguel de Allende, Mexico. I know most of the artists, although there will be some new faces joining us this time, so I'll have to post a complete list of everyone later.

Above is one of Logan Hagege's great pieces of the Northeast coast.

East Coast Ideals/West Coast Concepts*

ramona_s Ramona and I have just returned from a great trip out to Boston and Cape Cod, our first time to Massachusetts. The Cape is a really fascinating place with a long history of art, still going strong today. California could learn a few things about aesthetics from the area.

We flew out for the openings of Painting New England Together at the Cape Cod Museum of Art in Dennis, MA and Paintapalooza at Addison Art Gallery in Orleans, MA. (Lots of photos are online on Facebook.) I've got to give a big California Thank You to everyone out there for making our stay so hospitable - Paul and Pharr Schulenburg, Peter and Kathleen Kalill, Jeff Bonasia, and Helen Addison along with Domonic Boreffi over at Addison Art Gallery for their huge effort in making this all happen. It was really wonderful meeting everyone at the receptions.

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We spent some time up in Provincetown (P-Town) and saw the studios of Charles Webster Hawthorne (1872 - 1930) and Henry Hensche (1899 - 1992). We got to check out the small but nice collection at the Provincetown Art Association & Museum, and visited the historic Beachcomber's Club too, of which a number of the guys in our exhibition are members of. [Two artists who were members of both the Beachcombers Club as well as the California Art Club: Richard Edward Miller (1875-1943) and Christian von Schneidau (1893-1976).] I made a good effort to seek out work by Hawthorne and Hensche while we were there - they're hard enough to come by on the east coast, and virtually nowhere to be seen out in California. That search led me to Vose Galleries in Boston, which has been a leading gallery in that area for six generations(!). We met Carey Vose, and she and the staff were kind enough to pull out some amazing paintings by Hawthorne, Paul Dougherty (1877-1947), and Childe Hassam (1859-1935) that they had. You definitely need to stop at Vose if you're going to Boston; it's really much more like a museum than a gallery.

 

detail of "Still Life" by Hawthorne

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 Looking forward to our next trip back east! Who knows, maybe there will be a sequel - Paintapalooza: P-town.

 

*I borrowed this title from a 1997 exhibition that focused on the artistic lineages of the Boston School and the California Impressionists.

American Art Collector; Andrew Wyeth (1917-2009)

aac1_s The February issue of American Art Collector has a great story of the Maine trip and upcoming exhibitions, including lots of images. It should be out on newsstands soon if it isn't already. And still plenty of time to book your tickets to Boston!

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Christina's World, 1948, © Andrew Wyeth, tempera on panel, 32" x  48", Museum of Modern Art, NYC

Relatedly, but on a much sadder note, I've just learned that Andrew Wyeth, one of the greatest American artists, just passed away last night or early this morning at the age of 91. You can read about him and his life here and here. The small town our group of artists stayed at up in Maine is where Andrew lived. Paul Schulenburg, one of the guys on the trip with paintings in the upcoming exhibitions (including a painting of Andrew's studio) put it nicely: "Although we didn't get to meet him on our visit, it was nice to know he was around."

"Paintapalooza" at Cape Cod Museum of Art, Addison Art Gallery

the-proximity-of-a-town-monhegan_s The Proximity of a Town, Monhegan, 12 1/2" x 16", Oil on panel, © Eric Merrell

Happy New Year to everyone; a new year filled with Art, Music, Food, Family, and Gingerbread, all the good things in life and not necessarily in that order. We really are living in the best period of history, with lots to be thankful for. The gathering of artists at Port Clyde, Maine in September 2008 (see my previous posts about the trip here and here) will be the focus of two concurrent exhibitions on Cape Cod early this new year. The first, opening at the Cape Cod Museum of Art, will feature a painting from each of the artists and will run from January 17 – March 22, 2009 at the museum. A reception will be held on the evening of February 13.

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Anchored in Good Foundations, Port Clyde, 20" x 24", Oil on panel, © Eric Merrell; Exhibited at the Cape Cod Museum of Art, Dennis, MA.

The second part will be at Addison Art Gallery, with the opening reception on Saturday, February 14 from 5:30 – 7:30 p.m. at the gallery (President’s Day Weekend) and continuing through March 15, 2009. This exhibition will feature many more works from the twelve artists on the Maine trip. See the gallery’s page for the exhibition here, and click on the photos of the artists to see more of their artwork in the exhibition. Book your travel plans now, as there will be a lot of great art to see! Hope to see you there.

You can see a slideshow of the six paintings I will be sending for the exhibitions, online here.

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Eric Merrell and Glenn Dean, Monhegan Island, Maine, September 2008.