Marcia Burtt

Glenna Hartmann Invitational

Glenna Hartmann, pastel

Glenna Hartmann Invitational Fine Art Exhibition February 19-21, 2010 Artists Reception: February 19, 6:00-9:00 p.m. Santa Barbara Museum of Natural History 2559 Puesta del Sol, Santa Barbara, CA 93105

Glenna Hartmann (1948-2008) was a well-known artist, loved by everyone who knew her. This exhibit of 100 new works by 60 California artists has been organized in her honor. A bio on Glenna from the Santa Barbara Museum of Natural History's website:

An accomplished plein air pastelist, Glenna Hartmann began her lifelong passion for nature and painting at an early age. Growing up in New Jersey, she found great pleasure in exploring the hundred acres of protected woodlands bordering her family's home. She received formal art training at the Pennsylvania Academy of the Fine Arts where she was guided and inspired by her mentors there: Arthur De Costa, Will Barnet, Dan Miller and Marshall Glazier. The Academy awarded her a Schiedt Traveling Scholarship which took her to Europe for independent study.

After moving to Southern California in 1975, her focus on figurative work, portraiture and animals gradually shifted to pure landscape. She began painting outdoors with artist friends in Santa Barbara and eventually these friends formed the nucleus of the Oak Group – a group dedicated to raising funds from their art exhibitions for environmental causes. Today, nationally recognized for their preservation efforts, the Oak Group has donated over $1 million to organizations such as The Nature Conservancy, Environmental Defense Center, Marin Agricultural Land Trust, Land Trust for Santa Barbara County, and Santa Barbara Museum of Natural History. Even though painting is a solitary experience, she enjoyed the camaraderie of painting with other artists. Some of these invitational trips have taken her to the Forbes' Chateau de Balleroy in Normandy, a rafting trip in the Grand Canyon, Yosemite Valley, and with the Plein Air Painters of America, Catalina Island and Lake Tahoe. Glenna was a Signature Member of the California Art Club and a member of the Oak Group.

Two of my paintings will be in the exhibition:

Further Along the Path (Ellwood Mesa, Goleta, CA), 24" x 24", Oil on canvas mounted on panel, © Eric Merrell

Orange Groves, Santa Paula Valley, 11" x 14", Oil on panel, © Eric Merrell

Participating artists: Meredith Brooks Abbott, Whitney Brooks Abbott, Peter Adams, Jamee Aubrey, John Budicin, Marcia Burtt, Chris Chapman, Patricia Chidlaw, John Comer, John Cosby, William B. Dewey, Dennis Doheny, Michael Drury, Erika Edwards, Michael Enriquez, David Gallup, Rick Garcia, Karen Gruszka, Robin Hall, Anita Hampton, Whitney Brooks Hansen, Jeremy Harper, Tom Henderson, Jeff Horn, Ray Hunter, John Iwerks, Larry Iwerks, Hans Kegler, Mark Kerckhoff, Peggi Kroll-Roberts, Jean LeGassick, Calvin Liang, Manny Lopez, Eric Merrell, Laurel Mines, Clark Mitchell, William Mitchell, Charles Muench, Dan Pinkham, Jesse Powell, Scott Prior, Camille Przewodek, Ray Roberts, Rob Robinson, Ann Sanders, Rick Schloss, Frank Serrano, Randy Sexton, Skip Smith, Arturo Tello, Libby Tolley, Kevin Turcotte, Thomas Van Stein, Sarah Vedder, Ralph Waterhouse and Jim Wodark.

Exhibition at Pepperdine

as-i-sat-by-her-side_s As I Sat By Her Side, 8" x 10", Oil on board, © Eric Merrell; sketch for 36" x 48" Oil on canvas exhibited at the Frederick R. Weisman Museum at Pepperdine, Malibu

The Gold Medal Exhibition just closed yesterday in Pasadena and attention is now shifting to a new exhibition opening out at the Weisman Museum in Malibu this Saturday evening. Since I don't yet have a good image of the painting, I've posted the sketch above (I'll try to get some photos at the opening that will show it better). It's one of the larger pieces I've painted recently, which I thought would be fun since the museum can afford the space. Here is the text I wrote that will be included in the accompanying catalogue (slightly updated as we're always revising, aren't we):

"My art allows me a process to meditate on the mysteries of life and use that language to say what I would not otherwise be able to communicate. In this piece [As I Sat By Her Side] I was interested in the contrasts, the differences, and how they were all necessary to the purpose of the painting. Because of their differences, they are stronger together; one does not exist without the other.”

The surface of the large canvas was quite fun to work into. Some layering, and lots of scraping; heavily painted areas next to thinly washed in spaces. It was good to have the painting sit in the studio for a little while so I could spend some time with it. Some pieces you paint almost as they're going out the door, but some you get to live with for awhile. This piece for me is a good example of how the sketch conveyed the kernel of the idea, but that idea needed to have some room to develop before I could let the painting out.

The exhibition opens this Saturday, May 23 from 5-7 p.m. and runs through August 9. Hope you can make it out to see the exhibit, online here, it includes a lot of strong work. Thanks to Michael Zakian, Director of the Weisman Museum for all of his work assembling it.

Stability_s

Stability, 20" x 24", Oil on panel, © Eric Merrell; exhibited at the Frederick R. Weisman Museum at Pepperdine, Malibu

last-red-light_s

Last Red Light, 8" x 10", Oil on board, © Eric Merrell

This last piece won't be in the exhibition, just a small sketch I did at sunset at Leo Carrillo State Beach in Malibu. The large canvas is at the same location, and Stability is from El Matador Beach.