Peter Adams

Art & USC's New Church

USC has just completed a new church on their campus called Our Savior Church. They commissioned local artists to create works to be part of the church, and included fourteen Stations of the Cross painted by Peter Adams, eight large stained glass windows created by Judson Studios in Highland Park, and a large bronze crucifixion by Christopher Slatoff (not pictured).

The author as John the Beloved.

The author as John the Beloved.

Along with a number of other artists and models including Alexey Steele, Tony Pro, Richard Probert, Junn Roca, and the Director of The Irvine Museum, Jean Stern, I posed for Peter's Stations in the role of John the Beloved (wearing white with a red headscarf). I don't usually find myself on the other end of a paintbrush, but enjoyed being a part of this process. The completed paintings are beautiful and a great contribution to the church.

Your truly as the Good Samaritan (with turquoise scarf).

Your truly as the Good Samaritan (with turquoise scarf).

Coincidentally, some of the artists from Judson Studios came over during the photo shoots for Peter's reference, and since everyone was in costume they shot reference of their own for the stained glass. You can see me again as the character of the Good Samaritan in the windows. It's slightly amusing to be able to recognize nearly all of the historic characters portrayed in the church as friends of mine. As a window into oneself and a great point for contemplation, the art complements the church and creates a wonderful experience.

Glenna Hartmann Invitational

Glenna Hartmann, pastel

Glenna Hartmann Invitational Fine Art Exhibition February 19-21, 2010 Artists Reception: February 19, 6:00-9:00 p.m. Santa Barbara Museum of Natural History 2559 Puesta del Sol, Santa Barbara, CA 93105

Glenna Hartmann (1948-2008) was a well-known artist, loved by everyone who knew her. This exhibit of 100 new works by 60 California artists has been organized in her honor. A bio on Glenna from the Santa Barbara Museum of Natural History's website:

An accomplished plein air pastelist, Glenna Hartmann began her lifelong passion for nature and painting at an early age. Growing up in New Jersey, she found great pleasure in exploring the hundred acres of protected woodlands bordering her family's home. She received formal art training at the Pennsylvania Academy of the Fine Arts where she was guided and inspired by her mentors there: Arthur De Costa, Will Barnet, Dan Miller and Marshall Glazier. The Academy awarded her a Schiedt Traveling Scholarship which took her to Europe for independent study.

After moving to Southern California in 1975, her focus on figurative work, portraiture and animals gradually shifted to pure landscape. She began painting outdoors with artist friends in Santa Barbara and eventually these friends formed the nucleus of the Oak Group – a group dedicated to raising funds from their art exhibitions for environmental causes. Today, nationally recognized for their preservation efforts, the Oak Group has donated over $1 million to organizations such as The Nature Conservancy, Environmental Defense Center, Marin Agricultural Land Trust, Land Trust for Santa Barbara County, and Santa Barbara Museum of Natural History. Even though painting is a solitary experience, she enjoyed the camaraderie of painting with other artists. Some of these invitational trips have taken her to the Forbes' Chateau de Balleroy in Normandy, a rafting trip in the Grand Canyon, Yosemite Valley, and with the Plein Air Painters of America, Catalina Island and Lake Tahoe. Glenna was a Signature Member of the California Art Club and a member of the Oak Group.

Two of my paintings will be in the exhibition:

Further Along the Path (Ellwood Mesa, Goleta, CA), 24" x 24", Oil on canvas mounted on panel, © Eric Merrell

Orange Groves, Santa Paula Valley, 11" x 14", Oil on panel, © Eric Merrell

Participating artists: Meredith Brooks Abbott, Whitney Brooks Abbott, Peter Adams, Jamee Aubrey, John Budicin, Marcia Burtt, Chris Chapman, Patricia Chidlaw, John Comer, John Cosby, William B. Dewey, Dennis Doheny, Michael Drury, Erika Edwards, Michael Enriquez, David Gallup, Rick Garcia, Karen Gruszka, Robin Hall, Anita Hampton, Whitney Brooks Hansen, Jeremy Harper, Tom Henderson, Jeff Horn, Ray Hunter, John Iwerks, Larry Iwerks, Hans Kegler, Mark Kerckhoff, Peggi Kroll-Roberts, Jean LeGassick, Calvin Liang, Manny Lopez, Eric Merrell, Laurel Mines, Clark Mitchell, William Mitchell, Charles Muench, Dan Pinkham, Jesse Powell, Scott Prior, Camille Przewodek, Ray Roberts, Rob Robinson, Ann Sanders, Rick Schloss, Frank Serrano, Randy Sexton, Skip Smith, Arturo Tello, Libby Tolley, Kevin Turcotte, Thomas Van Stein, Sarah Vedder, Ralph Waterhouse and Jim Wodark.

Pictures at an Exhibition

MalibuReception_s Here are two photos from last night's reception at the Weisman Museum at Pepperdine. They don't reflect the awesome turnout - quite a packed house, great to see everyone there!

As I Sat By Her Side (framed)_s As I Sat By Her Side, 36" x 48", Oil on canvas, © Eric Merrell

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The catalogue of the exhibition featuring "Broad Beach Reflections" by Marcia Burtt on the cover.

Exhibition at Pepperdine

as-i-sat-by-her-side_s As I Sat By Her Side, 8" x 10", Oil on board, © Eric Merrell; sketch for 36" x 48" Oil on canvas exhibited at the Frederick R. Weisman Museum at Pepperdine, Malibu

The Gold Medal Exhibition just closed yesterday in Pasadena and attention is now shifting to a new exhibition opening out at the Weisman Museum in Malibu this Saturday evening. Since I don't yet have a good image of the painting, I've posted the sketch above (I'll try to get some photos at the opening that will show it better). It's one of the larger pieces I've painted recently, which I thought would be fun since the museum can afford the space. Here is the text I wrote that will be included in the accompanying catalogue (slightly updated as we're always revising, aren't we):

"My art allows me a process to meditate on the mysteries of life and use that language to say what I would not otherwise be able to communicate. In this piece [As I Sat By Her Side] I was interested in the contrasts, the differences, and how they were all necessary to the purpose of the painting. Because of their differences, they are stronger together; one does not exist without the other.”

The surface of the large canvas was quite fun to work into. Some layering, and lots of scraping; heavily painted areas next to thinly washed in spaces. It was good to have the painting sit in the studio for a little while so I could spend some time with it. Some pieces you paint almost as they're going out the door, but some you get to live with for awhile. This piece for me is a good example of how the sketch conveyed the kernel of the idea, but that idea needed to have some room to develop before I could let the painting out.

The exhibition opens this Saturday, May 23 from 5-7 p.m. and runs through August 9. Hope you can make it out to see the exhibit, online here, it includes a lot of strong work. Thanks to Michael Zakian, Director of the Weisman Museum for all of his work assembling it.

Stability_s

Stability, 20" x 24", Oil on panel, © Eric Merrell; exhibited at the Frederick R. Weisman Museum at Pepperdine, Malibu

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Last Red Light, 8" x 10", Oil on board, © Eric Merrell

This last piece won't be in the exhibition, just a small sketch I did at sunset at Leo Carrillo State Beach in Malibu. The large canvas is at the same location, and Stability is from El Matador Beach.

Exhibition of California Landscape Paintings; LAAFA

pinkham-stillness Daniel W. Pinkham, Stillness, 36" x 30", Oil on board, © Daniel W. Pinkham; Exhibited at the George H. Maxwell House, Pasadena

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Peter Adams, Force of Light, 30" x 40", Oil on board, © Peter Adams; Exhibited at the George H. Maxwell House, Pasadena

If you happen to be in Pasadena with a little time to spare, check out the on-going (free) exhibition at the historic George H. Maxwell House, 55 South Grand Avenue, Pasadena, CA 91105 (Or, see a virtual tour of the rooms - my painting is in the "Library Room-The Bar"). Located literally two blocks from the Norton Simon Museum, the exhibition is comprised of about 20-25 paintings, including work by artists Peter AdamsKarl Dempwolf, Sharon Burkett KaiserStephen Mirich, Daniel W. PinkhamScott PriorMian Situ, and myself, to name a few of the artists. (Contact the California Art Club at 626/583-9009 beforehand to arrange access or a tour of the exhibition.)

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Searching for the Light, San Gabriel Mission, 18" x 24", Oil on panel, © Eric Merrell; Exhibited at the George H. Maxwell House, Pasadena

Also, I want to give everyone an early heads-up for the Winter Semester at the Los Angeles Academy of Figurative Art in Van Nuys, California. The next Landscape Painting Class begins Saturday, January 24, 2009. It runs for eight consecutive Saturdays. The class size is kept small, so students will receive plenty of individual instruction. 

In these classes you will learn how to paint what you see, not what you think you see. Learn how to interpret nature in terms of paint, using light and color to create form. Color relationships, design/composition, simplifying, and the benefits of painting on location will be discussed, as well as how to design and build a painting that carries an emotional impact. Make an investment in your art - gain confidence and knowledge that will inspire all areas of your creativity!

Call the school at 818/708-9232 to register.

Plein Air Paintings of the Arroyo Seco

Sunday, October 5, 2008 from 11:00 a.m. - 4:00 p.m.

The California Art Club and the La Casita del Arroyo Foundation are joining forces for the second year in a row to present a special exhibition and sale of plein air paintings of the Arroyo Seco, Southern California's most celebrated canyon.

The exhibition will feature new original artwork by renowned contemporary-traditional fine artists, including Peter Adams, Eric Merrell, Junn Roca, Jason Situ, and Yisun Wei, who will paint on location during the week prior to the exhibition to document the environmentally-sensitive Arroyo Seco, which includes the historic Colorado Street Bridge.  Proceeds from the sale of the paintings will benefit the California Art Club's educational arts programs and La Casita's conservation efforts.