painting

Painting Workshop in the Anza-Borrego Desert

I've just returned from a week of painting and teaching in California's Anza-Borrego Desert State Park. This was the second 3-day workshop I've taught there, and was excited to return. I love this part of the desert, and this trip afforded me a little more time to explore and paint a few new locations. I also painted a few more nocturnes on location, something that has to be experienced. Even with less than a quarter moon, color temperatures and shapes are apparent, and there is also starlight to see by. NOTE: If you missed this trip, I'll be teaching another 3-day workshop in Joshua Tree next month, April 19-21, 2013.

Each day began with the importance of using your sketchbook - finding what your piece will be about, drawing thumbnail sketches and writing about them. I'm not interested in copying the landscape, but rather finding what it is that excites me about the location. I see painting as a way to dig a little deeper, to try a little harder.

I began with a demo in the morning and did another after lunch. I want everyone in the workshop to come away with a structure or process that they can use to interpret the landscape when they're working on their own. We talked about color, value, shapes, materials, umbrellas, and many other items of concern to artists working outdoors.

We started early each morning while it was still cool, painting until 1 pm or so, and then took a 2-hour lunch and siesta. After the rest, we'd get back out on location for the afternoon. For most folks who haven't painted on location before, one thing they don't realize is how physically and mentally demanding it is. This trip also sprouted a new tradition of starting the afternoon session with ice cream. At the end of a full day of painting, we'd gather for a good dinner at a local restaurant to relax and discuss painting.

I selected three different locations around the park that provided three different types of landscape, with a variety of underbrush, cacti, and change in elevation.

On the last day we created a little shade and held a critique to talk about the work everyone had produced. I'm always glad when I see such a sharp improvement over a short period of time, and there was a notable jump in seeing and painting color in each student's work over the three days. Though we were pretty tired when we departed at the end of the workshop, I think everyone seemed pleased with their efforts and had a sketchbook full of new ideas to put into practice in their own future work.

If you're interested in learning to see and paint color on location, I'll be teaching another 3-day workshop in Joshua Tree next month, April 19-21, 2013. Sign up here: http://ericmerrell.com/workshops.html

"Paintapalooza" at Cape Cod Museum of Art, Addison Art Gallery

the-proximity-of-a-town-monhegan_s The Proximity of a Town, Monhegan, 12 1/2" x 16", Oil on panel, © Eric Merrell

Happy New Year to everyone; a new year filled with Art, Music, Food, Family, and Gingerbread, all the good things in life and not necessarily in that order. We really are living in the best period of history, with lots to be thankful for. The gathering of artists at Port Clyde, Maine in September 2008 (see my previous posts about the trip here and here) will be the focus of two concurrent exhibitions on Cape Cod early this new year. The first, opening at the Cape Cod Museum of Art, will feature a painting from each of the artists and will run from January 17 – March 22, 2009 at the museum. A reception will be held on the evening of February 13.

anchored-in-good-foundations-port-clyde_s

Anchored in Good Foundations, Port Clyde, 20" x 24", Oil on panel, © Eric Merrell; Exhibited at the Cape Cod Museum of Art, Dennis, MA.

The second part will be at Addison Art Gallery, with the opening reception on Saturday, February 14 from 5:30 – 7:30 p.m. at the gallery (President’s Day Weekend) and continuing through March 15, 2009. This exhibition will feature many more works from the twelve artists on the Maine trip. See the gallery’s page for the exhibition here, and click on the photos of the artists to see more of their artwork in the exhibition. Book your travel plans now, as there will be a lot of great art to see! Hope to see you there.

You can see a slideshow of the six paintings I will be sending for the exhibitions, online here.

eric-glenn-monhegan_s

Eric Merrell and Glenn Dean, Monhegan Island, Maine, September 2008.

Welcome to my new blog

Eric Merrell in Malibu, California. Hi everyone - I hope to keep this new adventure updated with current and upcoming exhibitions, events, ideas and more. I am primarily interested in how we as artists can use beautiful color relationships to create light, and I spend a lot of time outdoors sketching on location to study those subtleties.

Please visit my website to see more of my work: www.ericmerrell.com

If you enjoy this blog or my website, please let me know and link to them if you like.